| A1 | | First Contrapunctus, On The Leading Theme - 4-Part |
| A2 | | Second Contrapunctus, On The Leading Theme (Slightly Modified) - 4-Part |
| A3 | | Third Contrapunctus, On The Tonal Inversion Of The Theme - 4-Part |
| A4 | | Fourth Contrapunctus, On The Real Inversion Of The Theme - 4-Part |
| A5 | | Fifth Contrapunctus, On The Variant Of A Theme And Its Inversion- 4-Part |
| A6 | | Sixth Contrapunctus, On The Same Variant, With Both Also Diminished - 4-Part |
| B1 | | Seventh Contrapunctus, As In Sixth With Augmentation As Well - 4-Part |
| B2 | | Eighth Contrapunctus, On Two New Subjects And Variant Of Theme - 3-Part |
| B3 | | Ninth Contrapunctus, On Further New Subject And Variant Of A Theme, In Counterpoint At The Twelth - 4-Part |
| B4 | | Tenth Contrapunctus, On A Further New Subject And Variant Of A Theme, In Counterpoint At The Tenth - 4-Part |
| B5 | | Eleventh Contrapunctus, On The Inversion And Normal Forms Of The Three Subjects Of The Eighth - 4-Part |
| C1 | | No 15, Fuga Per Canonem At The Octave On A Variant Of The Theme - 2-Part |
| C2 | | No 17, Fuga Per Canonem At The Tenth On A Variant Of The Theme - 2-Part |
| C3 | | No 16, Fuga Per Canonem At The Twelfth On A Variant Of The Theme - 2-Part |
| C4 | | No 14a, Fuga Per Canonem By Contrary Motion With Augmentation, On A Variant Of The Theme - 2-Part |
| C5 | | No 13a, Totally Invertible Counterpart In Contrary Motion On A Variant Of The Theme - 3-Part |
| C6 | | No 13b, Total Inversion Of 13a |
| C7 | | No 19a, Rearrangement Of 13a For Two Keyboards - 4-Part |
| C8 | | No 19b, Rearrangement Of 13b For Two Keyboards - 4-Part |
| D1 | | No 12a, Totally Invertible Counterpoint On A Variant Of The Theme - 4-Part |
| D2 | | No 12b, Total Inversion Of 12a |
| D3 | | No 18, On Three Invertible Subjects And (?) The Leading Theme, 4-Part, (Unfinished) |
